Born and raised in Eindhoven, the Netherlands.
Live and work in Amsterdam, the Netherlands.
At the age of 14, I started my photography journey. I wished to become a photographer in the future, a storyteller that would tell stories that mattered. I felt there was a big gap between the things I was interested to learn about and the shallow content of popular culture that me and my peers liked to consume.
But although I found the stories of news programs interesting, I found the atmosphere cold, harsh, and sometimes even aggressive. I imagined myself making those stories I felt was lacking.
In North Korea, a Life between Propaganda and Reality I reflect on years of fascination for North Korea and a journey I made through the country in 2013. From the images I gathered and documented during this trip, a dialogue between propaganda and reality emerged, trying to reconcile the present and the future of the country nobody seems to know.
Propaganda persists as an essence of the country; it depicts the dream, the hope. But, on the other side remains a brute reality, often bitter and harsh.
In 2012 the local government of Breda assigned me to create artwork for a new school building in Teteringen.
I involved all 441 children attending that school and created, together with them, the largest children’s group portrait in the world. This 54-meter-long artwork is now printed onto the floor of the schoolyard and hallway of the school building.
In 2008 I was portraying labor workers that live in labor camps on the outskirts of Dubai, assigned by Vice magazine. I was touched by the stories of these men and felt my portraits were lacking the possibility to convey their stories.
I started to realize I wanted to look further than mere documentary photography and develop new skills, so I could do justice to the stories of people like them.
I studied photography at the art academy St. Joost in Breda, the Netherlands. Upon graduating from art school I worked as a documentary photographer, exploring stories worldwide for several magazines.
Feeling unsatisfied with the final results of those stories, I started to explore how I could add new techniques to my storytelling. For that reason, I studied at the ICP (International Photography Center) in New York City for 6 months.
It is essential. I use digital manipulations to combine sometimes even up to a thousand images into one final artwork.
Photograph with your heart and use photography as a tool to tell the stories that truly matter to you.
I use both Canon and Leica cameras. Depending on the situation, I use a Profoto light set. And then it all comes together with the use of my computer, with the software of Adobe.
MIFA Winning Work
Alice Wielinga, a documentary photographer from the Netherlands, has gained international recognition for her unique approach to visual storytelling.
After graduating from the School of Fine Arts, St. Joost Breda, she started initiating projects in various countries, including China, Cuba, Pakistan, and North Korea.
Alice Wielinga’s award-winning project, North Korea: A Life Between Propaganda and Reality, has been exhibited in prestigious venues worldwide.
In recent years, Alice has collaborated with six North Korean artists on The Artist Perspective project.
In addition, her Ode to Nebuta project has been exhibited in multiple countries. Alice Wielinga is an accomplished artist who continues to push the boundaries of visual art.